Hey folks all is good here at HardBoiled. I am working away slowly on the follow-up novel: Fallen Angels. I’ve been attending some writing workshops with the Quebec Writers Federation as I am now relocating full-time to Montreal.
I am in Hamilton this weekend , and will be participating in a cool event featuring local writers called: Authors In The Park. The show takes place Aug 1 from 1-4 pm and will feature a plethora of local talent hawking their wares, including your truly.
Swing on by this Sunday and say hi; and pick-up a signed copy of :When The Luck Runs Dry. The event takes place in Hamilton’s historic Gore Park, steps away from the Hunter Street Go-Transit station. Hope to see you there:)
Things are chugging away slowly but surely here at Hard-Boiled. We picked up some nice press in the Hamilton area recently. A few weeks go I spoke with Hammer D20 about the new book: “When The Luck Runs Dry” for Cable 14. If you missed the show live, this link will take you to a podcast of the show w host Stevan Sobot: https://cable14now.com/video-on-demand/video/?videoId=5760
We picked up another outlet as well for the books: Cafe Domestique in Dundas, On has signed copies ready to go. Just ask the ever friendly Krys Hines and he will fill you in: https://cafedomestiique.com
Former Dundas filmmaker Stephen Hayes debuts gritty first novel Cara Nickerson Dundas Star News Monday, May 10, 2021 Author Stephen Hayes’ debut novel, ‘When the Luck Runs Dry’, begins with a literal bang. A mobster has been shot dead on one of the piers near Hamilton’s Stelco plant, and the main character has been framed for his murder.
The gritty, self-published neo-noir novel is an adaption of Hayes’ 2012 film ‘Lucky 7’. The film, like the novel, is set entirely in Hamilton, which the former Dundas resident said was the perfect place to tell his tale.
“I thought Hamilton made a great setting, and had a great background visually,” he said. “The crime setting is also quite rich; maybe not in a good way, but there’s a lot of material there.”
In 2012, Hayes took ‘Lucky 7’ to several international festivals and was working on a sequel script, ‘Fallen Angels’, when he was in a severe accident and lost his left leg.
“It knocked me out of doing much for over a year or two,” Hayes said. “After my accident, I didn’t go back to work in film. I retired from being a technician, when I had those life-altering injuries.”
Hayes turned his focus to writing. He began working on several different scripts before he decided to adapt ‘Lucky 7’ into a novel. Hayes found that moving the story from a film to a novel gave him more creative freedom.
“We did a two-hour crime movie, but there was actually only one gunshot on screen,” Hayes said. “It costs money to do even one gunshot, with insurance and police you have to have on duty and special effects …”
Those barriers don’t exist when you tell a story through a novel, he said. However, Hayes discovered that getting his book into print has its own challenges when he submitted his manuscript to publishing houses.
“Some will never get back to you,” Hayes said. “Some might take two years get back to you.”
Hayes didn’t wait to hear back from any of the publishing houses and pushed forward on his own. “Overall, it was a pretty good experience, but it was a total learning curve from doing a movie,” Hayes said.
Other than commissioning an artist from Hamilton’s Dundurn Press to design the cover, Hayes has done all the work for his first book himself, taking it to the presses and has been doing all the promotional and distribution work.
With his first novel on the shelf, Hayes is looking toward his next project: converting three of his scripts into novels, including ‘Fallen Angels’, the sequel to ‘When the Luck Runs Dry’.
“I want to move on,” Hayes said. “I got all the work done. Now it’s time to get it out there, work on promoting it and then move on to the next one.”
Hayes’ first novel is currently available in Hamilton at Paisley Café and James Street Bookseller.
The E-book release of: When The Luck Runs Dry is active as of March 17, 2021. You can find it on Apple Books, Kobo, and Kindle by clicking on the menu at the top of the home page. There is also a menu to contact us to pre-order a print copy of the novel, click on Print for the details. As well there is a Watch menu if you are interested in the original Neo-Noir film: Lucky 7 (2012).
I hope to have some news on retail outlets in the Ontario and Quebec region that may carry the title this Spring; more to come on that later. Thanks for the awesome support folks, and I will have another update in the near future. Cheers, for now!
Hey folks, things are progressing along with the upcoming publication of : When The Luck Runs Dry. The official E-Book launch is March 17th, 2021. A nice St Patrick’s Day gift for everyone it seems. Pre-orders are available now. Just go to the menu at the top of the main page for the E-Book and a movie link for the original film: Lucky 7. A date for the paperback print edition of the book is still being sorted out, as well as some kind of “official launch” in these pandemic times. Also to come, are details on retail outlets in Southern Ontario and the Montreal region, so stayed tuned:) Any other enquires can be directed to me at: firstname.lastname@example.org or browse around on the blog here to find out, more and to hunt down our social media links. Cheers for now!
As we near the publication in Spring 2021 of: When The Luck Runs Dry, here is some information on the 2011 feature film version of the story. It’s available now to stream or purchase on iTunes in Canada and the USA though Factory Film Studios! If you can’t wait to read it, you can watch it in the meantime:)
Here a little description and info on the neo-noir film:
Given up for dead, Patrick Farley (Lucky 7) returns home to pay a gambling debt to the mob but finds he’s been framed for murder. His luck’s run dry so he makes his own, and it becomes a dangerous game filled with sex, drugs, violence and betrayal. Can he hold on to the beauty he also finds waiting for him here in the heart of this broken down city, and follow its path back home?
Nominated for Best Screenplay -2007 Queen’s International Film Festival Audience Choice Award -Hamilton Film Festival 2011 Official Screening Shanghai International Film Festival 2012-Focus Canada EFM Berlinale 2013-Market Screening Official Selection -BNFF 2014 Showcase Selection-Lucerne International Film Festival 2014
Hey folks! I hope everyone is well and surviving as best they can in these strange times. I am relocated back to Dundas, Ontario for the Winter. Walking in snow and ice is an issue for me, so Montreal isn’t the ideal place in the colder months for personal mobility.
Things are moving along slowly but surely with the final stages of work on: When The Luck Runs Dry. I am hoping for a March 2021 release, but with the pandemic situation that is a bit fluid at the moment.
Here is a small synopsis of the novel:
Given up for dead, Patrick Farley returns home to pay a gambling debt to the mob but finds he’s been framed for murder. His luck’s run dry, so he makes his own; and it becomes a dangerous game filled with sex, drugs, violence and betrayal. Can he hold on to the beauty he also finds waiting for him here in the heart of this broken down city, and follow its path back home?
Currently Laura Boyle is working on the interior design and typesetting of the manuscript. She’s done many cool book and cover designs including for Dundurn Press. London artist Jeremy Bruneel is currently working on cover art work. He has a unique style which he hopes to meld with a retro pulp detective novel look. You can take a peek at some of work on his Wixsite: https://jeremybruneel.wixsite.com/illustration
Speaking of taking a look at things, When The Luck Runs Dry is based on my script and 2011 feature film : Lucky 7. The film was selected for the 2012 Shanghai International Film Festival, and went on to North American distribution wth Factory Film Studios. You can rent or purchase it in North America on I Tunes so take a look : https://factoryfilmstudio.com/portfolio-item/lucky-7/
I’ll be updating again early in January with more news, and a little feature on my cousin Bob Hayes. He is a retired Wolf Researcher turned writer and he has just published his 4th book. Till then take care and think good thoughts.
After a long drought it now seems Hamilton has not just one, but two repertory cinemas in the lower city. This March saw the rebirth of two of Hamiltons movie palaces to their former glories: The Westdale Cinema and the Playhouse Cinema.
John and Wendy Tutt have a long history with repertory cinemas. In Waterloo ON in 1985, when your humble writer was just entering Film Studies at U of W, Tutt took a gamble and opened the Princess Cinema at the back of an almost derelict Kent Hotel in Uptown Waterloo, ON.
The cinema blossomed through the years, and also was an early anchor in the revitalization of the entire hotel building complex through the years. It now contains a brew pub, pool hall, cafe, jazz club, bar, and deli.
Later, the Tutt’s took their success down the street, and purchased an old furniture store on King Street in Uptown Waterloo. Here they had a chance to build & retrofit from scratch a twin screen cinema, w cafe, restaurant and wi-fi lounge, which opened in 2005.
In the Fall of 2017, I received a call from Terrance Odette, a local filmmaker about a “For Sale” sign he had seen on Sherman Ave. N. in Hamilton. I knew the real estate agent of the listing,so put them in touch. The property in question, was an old vaudeville hall/cinema from 1914 . It had been used by a church group for many years, and was now sitting vacant.
After a few visits, and a thorough inspection, the Tutt’s took another gamble on a down on its luck building and neighbourhood. They purchased the property on Sherman Ave. in the Winter of 2018, and recent business school graduate and cinema buff Jacob Tutt came on board to help handle the task of much needed renovations; and to become the General Manager upon the cinema’s opening in Spring 2019.
The renovations tuned into much toil and trouble, but with the help of the local trades the Tutt’s were able to honour the legacy and design of this wonderful building ,while bringing it into the modern era.
With excellent acoustics, a renovated theatre fly system, and a retractable cinema screen (is this the only one in Canada? ); The Playhouse is primed not just for film but as a new concert and theatre venue as well.
But film is at the heart of The Playhouse, and that was very much on display with the sold-out opening night screening of Cinema Paradiso on Friday March 1, 2019.
With a full printed monthly schedule, and membership card in hand, I enjoyed every aspect on this “new” cinema. From the excellent accessible seating and washrooms, to the snack bar (soon to be licensed), to the comfortable seats, layout, and projection image; it was a great night to revel in the joy on cinema.
Plus, it was a great occasion to catch up with some old friends and maybe meet some new ones. I even had the chance to see Jan Uhde ,my Film Professor from the University of Waterloo, which was really cool.
And it was nice to see the old Westdale Theatre manager Geoff Tressider as part of the new staff at The Playhouse. He spent many years keeping independent cinema screening alive in Hamilton-and hat’s off to him for that!
Hey folks, it has been a while since I have been blogging, but it is time to return to it on a more regular basis . I’m working on some blogs now for he next few weeks, so stay tuned. I am also sprucing up the site ,and updating my bio and contact info. Currently, I continue to host Soundtrack on CFMU 93.3 Wednesday’s from 10:00-12:00 EST; although there may be a change of station and city later in the year.I will keep you posted on that. Otherwise film festival wise; last October I attended some screenings at the Festival De Nouveau Cinema in Montreal. Hopefully I will be attending this years Fantasia Film Festival in July and blogging about some of the cool screenings there. Also there is a graphic novel project in the works based on a recent script I penned called Diggers...so there are a lot if things happening ,and coming down the pipe. I will be ack soon with some new blog material. Tschuss.
It has been a while since I blogged, and it has been a busy year w film screenings, writing, and travel. In July, I spent a few days at the Fantasia Film Festival 2017- and the 2018 edition is back again in 3 months time. Recently I attended the Toronto Silent Film Festival and also hosted a screening of my film Lucky 7 at The Royal Cinema in Toronto. I spent Dec-Feb in Europe, and even though I didn’t get to any festivals per se I did see some films at various interesting cinemas in Berlin, Wroclaw, Strasbourg, and Bordeaux. I was also able to check out the Toulouse Cinematheque & the Lumiere Museum in Lyon-which still has a portion of the worlds first film studio. Very cool place. Otherwise, I have been spending some time writing; a new script is in the can plus some preliminary musings on a couple other idea…and radio wise the show on CFMU is still going strong and I acquired a lot of great vinyl in Europe-much to the distress of my pocket book:) Anyways cheers for now and I hope too be back at the blogging on a more frequent basis:)
I was lucky enough to be at the official kickoff of the 10th annual Festiwal Muzyki Filmowej W Krakowie ; and then attend the full festival which ran from May 17-23.
Held yearly in beautiful Krakow,Poland- this is a festival for film music lovers as well as industry and artistic people involved in the ever-changing and growing field of film music.
With an excellent staff and volunteer team and the generous support of RMF Classic , this is a great place to immerse yourself in the world of sounds from the cinema and to get insightfull commentary from the big names in film scoring ;as well as many up and coming composers.
Featuring a full slate of workshops in addition to talks and concerts this is a go to mecca for the film music enthusiast.
Definitely check out their website for video, pics, information, and a very cool link to listen to the new compilation CD released on Varese Sarabande: FMF 2017
Press Conference-Host:Magdalena Wojewoda-in attendance were:Robert Piaskowski, Abel Kornzeniowski,Trevor Morris, and Robert Townson.
Interview w: Jan AP Kaczmarek: go straight to the audio link for an interview w the composer about his music career and the TransatlantykFestival:
Thoughtful words from Giorgio Moroder- hiatus since the mid-90’s-spent time doing art, photography,a piano concert, and he renovated car-recently he has been back doing DJ work and has scored a series called: Queen Of The South-started doing film music in the 70’s after he was bought to the attention of Alan Parker, this was after he produced Donna Summers: I Need Love.-He scored Parker’s hit film Midnight Express, winning an Oscar for Best original Score in 1977-he talked a bit about the film Metropolis and his struggle to modernize it w new music and a restored print-by the time they could track all the footage down it had been 2 years and the result already seemed dated when it was finally released-it was the first digital sound presentation-says he is not a great keyboard player-never toured much-started as the first DJ in Germany in 1969 and has now come full circle to do live DJ shows(including the outdoor one in Krakow at FMF)-it is fun he says-he says he must have mixed over 1 thousand songs in the studio over the years-says the new digital technology is great-for 2k you can have a good set-up w a laptop-” it’s a democracy of music now”-talked about his hits written for Top Gun-said they recorded a demo w The Motels lead singer which ended up being re-recorded w Berlin for the big hit “Take My Breath Away”-talked about Scarface-now a cult classic-very high expectations when it was produced-Moroder did the Main Theme and 5 songs-cast and crew screening ended in complete silence-the critics hated it & helped kill it-when it came out on video it was a great success especially in the African-American community-big cult movie-Jay Z wanted to redo the songs w some rap and Beyonce-Universal wanted to but DePalma said no-so an album inspired by Scarface came out-Moroder would write more music for it and re-record some stuff if he could-he said 30 out of 100 songs he did were “good” and 10 did well at the charts…to see pictures of his performance at FMF 2017 go to the FMF website at: FMF 2017
All Is Film Music + Titanic shows pack the house at Tauron Arena- there is a lot of interest in film music here in Poland as is evidenced by two packed houses at the 17,000 seat Tauron Arena in Krakow
Standing room only to hear Howard Shore: Shore says he lives in a wooded area in the countryside and this setting really helped him connect with the Lord Of The Rings storyline-this is where he writes and he records mostly in Europe-he starts writing with a pencil and paper then he progresses to digital technology-he studied clarinet and leaned the importance of writing with a pencil-says he doesn’t compose on a computer-he says he writes “away from the film”- he views it once, then writes roughly 45 mins of music after improvising and dreaming about the film-writes more about the “idea” of the film and not so much about the images-writing from the heart-then come orchestration- In Silence Of The Lambs he concentrated his writing on the character played by Jodi Foster rather than the monster character of Anthony Hopkins-In 86 he scored The Fly for David Cronenberg w no electronics-afterwards he started developing his “Opera Technique with Electronics”– for Signs Of Life (89) he used electonic sound with mechanical and underwater sounds and noise and these played the music he had written-this unsettleded the score when mixed with the orchestrated recording- he talked about the challenge of the 13 minute main title sequence for Hugo (2011)-and mentioned a recent film Denial (2016) shot in Poland- Lord Of The Rings– Peter Jackson flew him over to see what they were doing-everything was made by hand for the film-it was a huge challenge for him-he was 9,000 miles away and NZ still only had 56k dial-up internet service-logistical nightmare w over 4 hours of music- he doest have a “team”-he orchestrates, writes, and conducts-wrote for 230 musicians+orchestra+choir+vocalists-he developed a “technique” to control all this-so he took 1 year for each LOR score to write, orchestrate, produce and develop extended versions-he wrote 12 hours of music which took 3 years and 9 months all in…longest production in film history as the films were all shot together and then The Hobbit began..a great talk by Howard Shore!!