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Crawls, Festivals, & Radio

Hey folks, just a quick update on all thing “hardboiled”. Writing is a little difficult as I broke my wrist a week back, and the plaster cast has mostly mobilized my left hand. But I am slowly on the mend, so I will hopefully get back to my more regular writing schedule soon.

In the meantime, I’ve been busy planning to attend a couple of upcoming events. Friday October 15th, I will be at the inaugural Book Crawl in Hamilton, ON. Modelled on the popular Art Crawl, this event will feature 30+ local authors selling their books along the very funky Ottawa Street business district. Come on out and say hi, and grab a copy of When The Luck Runs Dry if you find yourself in The Hammer on the 15.:)

A couple weeks later, I’ll be at another event in Hamilton. This time I’ll be part of the Page Turner panel, an event programmed as part of the long-running Hamilton Film Festival. I’ll be there along with Aaron Lam and Colin Chilvers. Chilvers is an Academy Award winning SPX specialist with a long and varied career that began back in the late 60’s when he worked on The Battle of Britain. It should be a fun and entertaining afternoon at The Westdale Cinema, and we’ll be doing a book signing afterwards, so hope to see you there. Details and links for advance tickets can be found at: https://www.hamiltonfilmfestival.com

Recently I caught up with James Tennant, host of Get Lit on 93.3 CFMU-FM. We chatted for about 30 minutes and the on-air broadcast should be late October. It will then be available via podcast. Here is a link for the show page and archived shows, and I’ll update the blog when the on-air date approaches. https://cfmu.ca/shows/9-get-lit

More updates soon-till then think good thoughts!

Stephen

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Authors in the Park

Gore Park 1860

Hey folks all is good here at HardBoiled. I am working away slowly on the follow-up novel: Fallen Angels. I’ve been attending some writing workshops with the Quebec Writers Federation as I am now relocating full-time to Montreal.

I am in Hamilton this weekend , and will be participating in a cool event featuring local writers called: Authors In The Park. The show takes place Aug 1 from 1-4 pm and will feature a plethora of local talent hawking their wares, including your truly.

Swing on by this Sunday and say hi; and pick-up a signed copy of :When The Luck Runs Dry. The event takes place in Hamilton’s historic Gore Park, steps away from the Hunter Street Go-Transit station. Hope to see you there:)

Stephen

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Read All About It!

Things are chugging away slowly but surely here at Hard-Boiled. We picked up some nice press in the Hamilton area recently. A few weeks go I spoke with Hammer D20 about the new book: “When The Luck Runs Dry” for Cable 14. If you missed the show live, this link will take you to a podcast of the show w host Stevan Sobot: https://cable14now.com/video-on-demand/video/?videoId=5760

This week we have a nice feature in the Hamilton Community News/Dundas Star courtesy of Cara Nickerson: https://www.hamiltonnews.com/community-story/10389549-former-dundas-filmmaker-stephen-hayes-debuts-gritty-first-novel/?fbclid=IwAR2VEd9xgq5ShB1QPZASF-FHT6DHFeJuiYSCnGdyaY3f87kMDs4W_7J4I1Y

We picked up another outlet as well for the books: Cafe Domestique in Dundas, On has signed copies ready to go. Just ask the ever friendly Krys Hines and he will fill you in: https://cafedomestiique.com

Books are still available at The James Street Bookseller: https://www.jamesstreetbooks.ca and Paisley Cafe: https://paisleycoffeehouse.com so happy reading! E-book and film links for I Tunes are in the menu above. Oh and here is the article courtesy of Cara Nickerson & The Dundas Star:

Former Dundas filmmaker Stephen Hayes debuts gritty first novel
Cara Nickerson
Dundas Star News
Monday, May 10, 2021
Author Stephen Hayes’ debut novel, ‘When the Luck Runs Dry’, begins with a literal bang. A mobster has been shot dead on one of the piers near Hamilton’s Stelco plant, and the main character has been framed for his murder.

The gritty, self-published neo-noir novel is an adaption of Hayes’ 2012 film ‘Lucky 7’. The film, like the novel, is set entirely in Hamilton, which the former Dundas resident said was the perfect place to tell his tale.

“I thought Hamilton made a great setting, and had a great background visually,” he said. “The crime setting is also quite rich; maybe not in a good way, but there’s a lot of material there.”

In 2012, Hayes took ‘Lucky 7’ to several international festivals and was working on a sequel script, ‘Fallen Angels’, when he was in a severe accident and lost his left leg.

“It knocked me out of doing much for over a year or two,” Hayes said. “After my accident, I didn’t go back to work in film. I retired from being a technician, when I had those life-altering injuries.”

Hayes turned his focus to writing. He began working on several different scripts before he decided to adapt ‘Lucky 7’ into a novel. Hayes found that moving the story from a film to a novel gave him more creative freedom.

“We did a two-hour crime movie, but there was actually only one gunshot on screen,” Hayes said. “It costs money to do even one gunshot, with insurance and police you have to have on duty and special effects …”

Those barriers don’t exist when you tell a story through a novel, he said. However, Hayes discovered that getting his book into print has its own challenges when he submitted his manuscript to publishing houses.

“Some will never get back to you,” Hayes said. “Some might take two years get back to you.”

Hayes didn’t wait to hear back from any of the publishing houses and pushed forward on his own.
“Overall, it was a pretty good experience, but it was a total learning curve from doing a movie,” Hayes said.

Other than commissioning an artist from Hamilton’s Dundurn Press to design the cover, Hayes has done all the work for his first book himself, taking it to the presses and has been doing all the promotional and distribution work.

With his first novel on the shelf, Hayes is looking toward his next project: converting three of his scripts into novels, including ‘Fallen Angels’, the sequel to ‘When the Luck Runs Dry’.

“I want to move on,” Hayes said. “I got all the work done. Now it’s time to get it out there, work on promoting it and then move on to the next one.”

Hayes’ first novel is currently available in Hamilton at Paisley Café and James Street Bookseller.

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Spreading the word. Literally.

Hey folks, I hope everyone is well. It has been a busy few weeks for your humble author. Between vaccine jabs, medical appointments, and transitioning to a new residence in Montreal it has been difficult to keep the blog updated.

I squeezed in an interview with Hammer D20 that is live streaming this weekend, and I will tell you more about that (and hopefully provide an archive link) on the next blog.

We have a couple of shops selling print copies of : When The Luck Runs Dry in Hamilton, ON. I hope to have some more outlets, including some in Montreal in the future. Alternately, you can read the book by clicking above in the menu; links for e-pub platforms, mail-order service, and for the film LUCKY 7 (2012) all all there for your perusal.

Our friends over at the Paisley Cafe in Westdale have been doing a swift trade selling copies and cappuccinos, many thanks to Sarah (and crew) for helping get the title out! https://paisleycoffeehouse.com

We also are in stock at the very cool James St. Booksellers in downtown Hamilton. Contact Monique for curb-side pick-up of a hard copy and take a peak at the very cool interior that is one of the main locations of the Apple TV Series: GHOSTWRITER: https://www.jamesstreetbooks.ca

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E-BOOK Pre-Orders are AVAILABLE Now

Hey folks, things are progressing along with the upcoming publication of : When The Luck Runs Dry. The official E-Book launch is March 17th, 2021. A nice St Patrick’s Day gift for everyone it seems. Pre-orders are available now. Just go to the menu at the top of the main page for the E-Book and a movie link for the original film: Lucky 7. A date for the paperback print edition of the book is still being sorted out, as well as some kind of “official launch” in these pandemic times. Also to come, are details on retail outlets in Southern Ontario and the Montreal region, so stayed tuned:) Any other enquires can be directed to me at: shayes7@protonmail.com or browse around on the blog here to find out, more and to hunt down our social media links. Cheers for now!

Stephen

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Sneak Peek II

So, here is a sneak peek of the cover art from the upcoming novel: When The Luck Runs Dry. It’s a modern twist on a 50’s pulp detective art work style from artist Jeremy Bruneel. We hope to have titling and typesetting finished this month, and a publishing date sometime in March which is TBA.

Artist: Jeremy Bruneel

I’ve had enquiries about the original 2012 film Lucky 7 that the book is based on. It is available currently to view through our distributor Factory Films. You can’t read the book yet, but you can view the film here on I-Tunes NA: https://factoryfilmstudio.com/portfolio-item/lucky-7/ And click on the Contact link on the top of the page to get a hold of us and for our social media links. Until next time, think good thoughts. And here is another sample from When The Luck Runs Dry :

We bundle ourselves into Julia’s car and head out towards Main Street and St. Columns’. That’s an old church in the core of the city, the original Catholic cathedral for the Irish of Corktown and the surrounding diocese. I am well acquainted with this place from growing up and being forced to attend every week (sometimes more, depending on the dates of certain important religious events, plus funerals, baptisms and weddings, you name it, and it was all an excuse to be dragged off for some religious indoctrination).

I watch Julia prepping her music notes and looking up hymns. She is facing me, oddly enough, though I am at the back of the loft. She has a nifty little rear-view mirror so she can see what the priest is doing on the alter when the service starts.

And speaking of starting, Julia now hits the keys and pedals and the old pipes built into the church groan to life and blast out their sound. I’m right beside them and figure this isn’t the best seat now that the music has started. I go to move forward, and something falls from my jacket with a clatter. God dam it’s that cell phone, and I never thought to turn it on.

So, I pick it up and take another seat, turning it on and putting it back in my breast pocket. Moments later it starts buzzing, humming, and vibrating so I take it back out and navigate the screen slowly, ineptly. Looks like there are voicemails, but I have no idea how to retrieve them and I can’t bother Julia now. Inspecting the gadget further, I can see that I also have text messages. “Call me asshole,” it says when I scroll down. There are 4 of these, with a phone number. Must be the Reverend. Time to relocate outside, it seems.

I stand down the side of the church, near the old parochial house, where the priests live, and their maids keep everything in tip top shape. But they’ve been rocked by scandals of sex abuse the last decade, so the recruits for the priesthood have dwindled to a trickle. So, most priests living here now hail from Poland, Latin America or Africa these days, where the grip of Church authority still holds strong and where people may be more ready to join as a way to somehow escape a never-ending cycle of poverty and political instability.

I dial the number, but it’s not Reverend who answers, it’s the mug, Harry. And he is in a pissy, sarcastic mood from the sound of his voice.

Harry: “So, you got the message finally?”.
Me: “No. I just thought I’d check with you and see how the jaw was.”
I am met with silence on the other end for a few moments.
Harry: “Be at Sam Lawrence Park at 10:30. You got that?”
I answer in the affirmative.
Harry: “Oh, one more thing there Lucky. Go fuck yourself.”

The line clicks dead, and I chuckle. Not much of a poet, that Harry, but then again that’s not really a job requirement in his line of work. And maybe I just needed to get to know him better and see if he had a more multi-layered personality. But I have my doubts.

I decide some exercise in in order, so I walk down East Ave. and across Stinson to Wentworth. Here there are five hundred or so steps up the side of the mountain. I huff and puff and wheeze my way up the stairs, swearing to quit smoking all along the ascent. But I make it up in silence to Mountain Brow Road, along which I wander a block further and end up at Concession Street. This is an older business district built in the 1930s along the edge of the escarpment. I walk west past the quiet storefronts and shops and end up coming straight into the top of Sam Lawrence Park. I look around the empty spots as I stand in the parking area, and there, off by the pathway, is the Reverend, with Harry in tow, in the distance and leaning on a railing. His back is facing me as he looks out over the lower city and the industrial stacks further out— past which are the Skyway and Lake Ontario, and on a clear day, the metropolis of Toronto.

I walk up beside him and lean over the railing as well. Reverend looks at me and reaches into his jacket and pulls out a flask. He unscrews it and takes a slug, then looks at his watch.

Reverend: “Didn’t think you were coming Lucky. You got a busy schedule today? Think you can still slot us in?”
You could cut the sarcasm in his voice with a knife.
Me: “Had to go to church, Reverend”.
Reverend almost snorts whiskey out his nose and chortles.
Reverend: “Church? Looking for guidance from above were ya? So, what did I miss?”
I look at him and shake my head.
Me: “Oh, the usual shtick. You know, life and death and how to get your sorry ass to Heaven.”
Reverend looks pensive now and turns to stare off to the horizon.
Reverend: “Getting dead is easy to arrange and there’s plenty of ways to pull it off. But Heaven, there’s only one way to get there.”
My curiosity is piqued now, so I and ask him what that is. He turns and looks me in the eyes.
Reverend: “Through the Pope, you fucking dummy!”

Reverend breaks out into a hearty laugh at my expense, then takes another drink from the mickey. He looks at me and passes the flask and I take a cursory drink from the rotgut inside.
A moment passes and the Reverend motions to the vista spread out before us.

Reverend: “Just look at that city down there, all laid out for ya. Anything you want, right there. Ya just gotta reach out and grab it with both hands and hold the fuck on tight. Coming up here sometimes I feel like a king in his castle looking down on his domain.”
Me: “Got big plans for yourself, do you?”

Reverend breaks out of his reverie and is now looking annoyed. He takes the flask back and deposits it in his jacket. Looks like our little session is winding down now. He turns, looking at me face to face, his expression turning solemn.

Reverend: “Say, you’re on the level about this meeting with the old man, aren’t ya?
Me: “I could ask you the same thing now, couldn’t I?”

The Reverend turns back to look at the town laid out below, deep in thought. As for me, my own thoughts are of a ship stranded on a reef, slowly taking in water, but not yet aware that it’s sinking.

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Sneak Peek

Well folks I hope everyone is well. We are making progress on art work and typesetting for the up coming Neo-Noir novel: When The Luck Runs Dry. The project is nearing a completion date in mid February, with a launch date tentatively set for March 17, 2021. Due to the pandemic the launch may have to be a virtual event, depending on the Co-Vid situation here in Canada. I am working on the social media sites related to the book, which you can find in the About and Contact menus above. Otherwise I am slowly writing away at the sequel novel: Fallen Angels, and I had a nice workshop with the #QuebecWritersFederation on the weekend that helped move that along. So here is a small excerpt from the upcoming book and if you are chomping at the bit to read it, you can watch the 2012 film version on I Tunes in North America here: https://factoryfilmstudio.com/portfolio-item/lucky-7/

Excerpt:

I step out of the cab into the now brisk air, and the cab driver helps me gather my things from the trunk. He lays them on the sidewalk while I light another cigarette. He reaches into his breast pocket and pulls out a business card and hands it to me. –
Taxi Driver: “Anytime you need a lift, here’s my number. Big tippers like you don’t come around very often!”
He chuckles and slides back into his taxi, pulling away into the darkened night, leaving me alone with my thoughts.
The sign from Farleys’ is lit from the side swinging slightly in the wind. But another light is glowing now from the downstairs storefront, a neon red and violet glow from an illuminated cross in the window. Strange to see. This was and old hardware store last, I remember-—Millers’?
Now as I look up, I see a new sign: The Church of The Universal Prophet. Jesus. You can thank the tax-free status of churches for all these store-front operations. Usually run by some crackpot or another—or some Mafia clan doing some old school money laundering. I try and peer through the drawn shades, but the view is obscured. Yet my ears can make out the sounds of an electric church organ filtering out onto the street. Sounds like an old school Protestant hymn from way back. Well, to my untrained ear at least.
But duty calls, and I turn toward the doorway to the right of the building and open the door. Farley’s is a strange old building, and the main oddity of it is that the pub is located on the upper floor. Many an inebriated patron has taken a tumble down this flight of stairs over the years, but no casualties so far—that I know of, that is. Other than a few livers, but those are a self-inflicted wound.
As I open the door, I hear the organ music from the church being overpowered by some Irish folk rock emanating from upstairs. The Irish—the Blacks of Europe. “No Dogs or Irishmen need apply, etc.” No longer: once shunned like the Italians in throughout North America, now everyone runs out to drink green beer and knows all the words to every song by U2. Kind of funny really. And the music only gets louder as I ascend the stairs.
I round the corner at the top of the stairs and enter a time capsule. The music and lights and pool tables and bar stools: they are all just as I remember them. The two guys tending bar are familiar as well, except a few years older. They’re my brothers, Allan and Brian, and the barfly at the end of the bar—he is still here as well: Alex Quigley. It was Quigley who first notices me standing silhouetted in the doorway, as I drop by duffel bag to the floor.
Quigley: “Well. If it isn’t Lucky 7; like Lazarus back from the dead!”
Lucky 7. That was nickname bestowed on me at a young age, being the 7th kid in a brood of 8. The only one younger than me was Frankie. I was deemed to be the one to bring good fortune upon the family, being the 7th born, but the only luck I seem to have brought was bad. Or so it may seem up to now anyways.
And, just now, my luck seems to not be taking too much of a positive spin either, as my brothers catch sight of me and advance from behind the bar with a mix of shock and anger in their eyes. Allan stands back while Brian advances forward blocking my path.
Brian: “Jesus Fucking Christ.”
Not the best wording for a conversation starter I think, but before I can reply, a flash of fist rises from below and a powerful pain shocks my jaw. And then the lights go out. For me anyways. Some homecoming.

Photo Credit: Sabrina Armani

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Back In The Saddle

 

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Hey folks, it has been a while since I have been blogging, but it is time to return to it on a more regular basis . I’m working on some blogs now for he next few weeks, so stay tuned. I am also sprucing up the site ,and updating my bio and contact info. Currently, I continue to host Soundtrack on CFMU 93.3 Wednesday’s  from 10:00-12:00 EST; although there may be a change of station and city later in the year.I will keep you posted on that. Otherwise film festival wise; last October I attended some screenings at the Festival De Nouveau Cinema in Montreal. Hopefully I will be attending this years Fantasia Film Festival in July and blogging about some of the cool screenings there. Also there is a graphic novel project in the works based on a recent script I penned called Diggers...so there are a lot if things happening ,and coming down the pipe. I will be ack soon with some new blog material. Tschuss.

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2018-Update

It has been a  while since I blogged, and it has been a busy year w film screenings, writing, and travel. In July, I spent a few days at the  Fantasia Film Festival 2017- and the 2018  edition is back again in 3 months time. Recently I attended the Toronto Silent Film Festival and also hosted a screening of my film Lucky 7 at The Royal Cinema in Toronto. I spent Dec-Feb in Europe, and even though I didn’t get to any festivals per se I did see some films at various interesting cinemas in Berlin, Wroclaw, Strasbourg, and Bordeaux. I was also able to check out the Toulouse Cinematheque & the Lumiere Museum in Lyon-which still has a portion of the worlds first film studio. Very cool place. Otherwise, I have been spending some time writing; a new script is in the can plus some preliminary musings on a couple other idea…and radio wise the show on CFMU is still going strong and I acquired a lot of great vinyl in Europe-much to the distress of my pocket book:) Anyways cheers for now and I hope too be back at the blogging on a more frequent basis:)

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FMF 2017

I was lucky enough to be at the official kickoff of the 10th annual Festiwal Muzyki Filmowej W Krakowie ; and then attend the full festival which ran from May 17-23.

Held yearly in beautiful Krakow,Poland- this is a festival for film music lovers as well as industry and artistic people involved in the ever-changing and growing field of film music.

With an excellent staff and volunteer team and the generous support of RMF Classic , this is a great place to immerse yourself in the world of sounds from the cinema and to get  insightfull commentary from the big names in film scoring ;as well as many up and coming composers.

Featuring a full slate of workshops in addition to talks and concerts this is a go to mecca for the film music enthusiast.

Definitely check out their website for video, pics, information, and a very cool link to listen to the new compilation CD released on Varese Sarabande: FMF 2017

Press Conference-Host:Magdalena Wojewoda-in attendance were:Robert Piaskowski,  Abel Kornzeniowski,Trevor Morris, and Robert Townson.

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Interview w: Jan AP Kaczmarek: go straight to the audio link for an interview w the composer about his music career and the Transatlantyk Festival:

FMF Interview 17-05-117

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PANEL: Independent Critics in Film Music
Host: Ray Bennet
Participants: Eleni Mitsiaki, Jonathan Broxton, Peter F. Ebbinghaus

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Opening Night Concert w Abel Korzeniowski- a sold out concert hall at the ICC enjoys a fantastic concert featuring the composers film and television music.

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Some Q and A time w Trevor Morris: head to the audio link for a lengthy conversation w composer Morris about his music for film, TV, and video games:

FMF Interview-20-05-17

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Q and A w Klaus Doldinger and Jean-Michel Bernard- the audio is poor,but a great talk by the composers as well as a cool impromptu jam at the end-audio link is here:  Doldinger + Bernard talk film music and jam some jazz near the end

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Thoughtful words from Giorgio Moroder- hiatus since the mid-90’s-spent time doing art, photography,a piano concert, and he renovated  car-recently he has been back doing DJ work and has scored a series called: Queen Of The South-started doing film music in the 70’s after he was bought to the attention of Alan Parker, this was after he produced Donna Summers: I Need Love.-He scored Parker’s hit film Midnight Express, winning an Oscar for Best original Score in 1977-he talked a bit about the film Metropolis and his struggle to modernize it w new music and a restored print-by the time they could track all the footage down it had been 2 years and the result already seemed dated when it was finally released-it was the first digital sound presentation-says he is not a great keyboard player-never toured much-started as the first DJ in Germany in 1969 and has now come full circle to do live DJ shows(including the outdoor one in Krakow at FMF)-it is fun he says-he says he must have mixed over 1 thousand songs in the studio over the years-says the new digital technology is great-for 2k you can have a good set-up w a laptop-” it’s a democracy of music now”-talked about his hits written for Top Gun-said they recorded a demo w The Motels lead singer which ended up being re-recorded w Berlin for the big hit “Take My Breath Away”-talked about Scarface-now a cult classic-very high expectations when it was produced-Moroder did the Main Theme and 5 songs-cast and crew screening ended in complete silence-the critics hated it & helped kill it-when it came out on video it was a great success especially in the African-American community-big cult movie-Jay Z wanted to redo the songs w some rap and Beyonce-Universal wanted to but DePalma said no-so an album inspired by Scarface came out-Moroder would write more music for it and re-record some stuff if he could-he said 30 out of 100 songs he did were “good” and 10 did well at the charts…to see pictures of his performance at FMF 2017 go to the FMF website at: FMF 2017

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All Is Film Music + Titanic shows pack the house at Tauron Arena-  there is a lot of interest in film music here in Poland as is evidenced by two packed houses at the 17,000 seat Tauron Arena in Krakow

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Standing room only to hear Howard Shore: Shore says he lives in a wooded area in the countryside and this setting really helped him connect with the Lord Of The Rings storyline-this is where he writes and he records mostly in Europe-he starts writing with a pencil and paper then he progresses to digital technology-he studied clarinet and leaned the importance of writing with a pencil-says he doesn’t compose on a computer-he says he writes “away from the film”- he views it once, then writes roughly 45 mins of music after improvising and dreaming about the film-writes more about the “idea” of the film and not so much about the images-writing from the heart-then come orchestration- In Silence Of The Lambs he concentrated his writing on the character played by Jodi Foster rather than the monster character of Anthony Hopkins-In 86  he scored The Fly for David Cronenberg w no electronics-afterwards he started  developing his “Opera Technique with Electronics”– for Signs Of Life (89) he used electonic sound with mechanical and underwater sounds and noise and these played the music he had written-this unsettleded the score when mixed with the orchestrated recording- he talked about the challenge of the 13 minute main title sequence for Hugo (2011)-and mentioned a recent film Denial (2016) shot in Poland- Lord Of The RingsPeter Jackson flew him over to see what they were doing-everything was made by hand for the film-it was a huge challenge for him-he was 9,000 miles away and NZ still only had 56k dial-up internet service-logistical nightmare w over 4 hours of music- he doest have a “team”-he orchestrates, writes, and conducts-wrote for 230 musicians+orchestra+choir+vocalists-he developed a “technique” to control all this-so he took 1 year for each LOR score to write, orchestrate, produce and develop extended versions-he wrote 12 hours of music which took 3 years and 9 months all in…longest production in film history as the films were all shot together and then The Hobbit began..a great talk by Howard Shore!!

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